In his
Memoirs Sloboda, the passionate narrator, armed with minimally stylized, colloquial, and unrefined language, manages to comment on Proust, criticize Brecht, describe a schizophrenic wife, observe a twig in a river whirlpool, and tell piquant tales about the artistic and political life of Bratislava.
...
Sloboda is playing with himself, with his reader, with life and death. An elite intellectual and folk narrator, a shy villager and agent provocateur and experimenter, a self-ironist and Narcissus with a savior complex, a hedonist and mystic, a bad husband and a good grandfather, a nature lover and self-destructive necrophiliac but above all
a mystifier - that was Rudolf Sloboda..
Adriana Fábryová