Vyhľadávanie
A rewritten version of the dissertation Zobraziteľné a nezobraziteľné vo filme: fakt, udalosť, história (What Can and Cannot Be Shown on Film: Fact, Event, History) in which the author and poet examines the characteristics of film presentation. The book examines the possibilities of the cinematic language, specifically that of documentary films presenting history and historical topics. It compares the limits of documentary film-making with the characteristic features and temporality of written text in the context of historical works.
